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When police clashed with young music club goers on the Sunset Strip in ’66, Steven Stills quickly wrote “For What It’s Worth.” “Bluebird” was the follow-up single. Here the band flips the order and makes it a medley, with David replicating the searing guitars of both Stills (left channel) and Neil Young (right).
Steve: Buffalo Springfield was a really big influence on the band. Like Los Lobos, they were polyglots unique to their time.
Louie: We knew we wanted to do a Buffalo Springfield song, and ended up with two because we couldn't decide!
David: When I was a teenager, Buffalo Springfield was one of my favorite bands. I just pitched the idea: “Let's see how close we can get to the originals. Just for the fun of it.”
supported by 157 fans who also own “Bluebird / For What It’s Worth”
The best I've heard from Steve Earle in a while. The songs have a subtler, earthier tone, tastefully rendered in authentic sounding country/blues/bluegrass stylings. 'J.T' reminds of earlier records like 'Feel Alright' or 'Train a Comin'.
Deep grief, love and compassion is felt on the final track, the only composition from Steve, seemingly written for his son. The rest, composed by JT, do confirm what a great songwriter he really was. tideracer
supported by 139 fans who also own “Bluebird / For What It’s Worth”
Wonderful... some of Hiatt's best songs are here. I've been a fan since Riding with the King. This is gloriously played, too. What a band. anthonytoner
Tom Heyman documents life in San Francisco circa 2023, refusing to succumb to easy characterization & instead capturing the city’s nuance. Bandcamp New & Notable Oct 22, 2023
Psychedelia of a darker shade than usual, Francie Moon eschew kaleidoscopic colors for a slow, sludgey trek through the sonic badlands. Bandcamp New & Notable Oct 16, 2019